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Billy slipped quickly to cover again where he could watch unseen. The men’s faces were black with passion, and their low, intense words seemed all the more deadly because strange, foreign. A coat split down the back with a ripping report, and the boy saw the flash of a knife, and turned away feeling sick. Still, since Billy had broken his resolution of silence, he was feverishly eager to talk. His thoughts were erratic, now in the present, again flying back to the past. “O mother, you should be lickin’ me ’nstead of petting me!” he broke out passionately. “We hev a homestead an’ pre-emption, Miss Gordon, but only work a hundred acres or thereabout. We run stock on the rest of it, aint that the how of it Lize?” Mr. Wopp looked to his help-meet for corroboration..

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At last she looked up and pointed a startling finger at May Nell. “Mary Ellen Smith, my familiars, who guard the portals of futurity, declare that you shall be the first honored. Minions, depart! Slaves, guard the door!” “A cat tablecloth!” the little girl laughed. Betty kept her tour de force till the last and astounded Moses by riding into the yard on the back of a large cow. Molly had been padded to represent a camel and Betty rode perched insecurely on the hump of the lordly creature, holding Mrs. Wopp’s treasured red parasol to give the effect of a canopy. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..